The Sandman
This epic love affair between Rose (Jocelyn Green) and Jesse (Richard Romero), co-written by Garrett Ammon and Clay Rose, is choreographed (by Ammon) to the ever-popular music and lyrics (by Rose) of one of Denver's favorite dance bands. The athleticism of the company, in this full-length (two hours plus a 20-minute intermission), two-act, is something to behold, with the protagonists', Green's and Romero's, nearly non-stop solos and pas de deux wowing us as remarkable feats of both artistry and stamina. They are supported in their quest by the ghosts of their mothers, Sofia (Morgan Sicklick) and Maria (Emily Poli), both of whom died in childbirth, whose etherial movements draw from the spirit world. Rose's aspirations are thwarted by her father, The Sandman (Aidan O'leary), who keeps her captive and abuses her at every opportunity, while he falls ever-deeper into an alcoholic abyss. O'leary embodies this evil with shivering ferocity, sparking dread with his every appearance. Is anyone going to plug this guy? Jesse's father, Adam (Damon Patterson) transitions into priest, providing a source of spiritual counterpoint to The Sandman's evil ways. Ammon's multipurpose scenic design enhances the fluidity of the storytelling, highlighted by his breathtaking, magical projections, all amplified by the stylish costumes (Kelly Gregson), lighting (Karalyn Star Pytel), and property (Eleanor Moriarty) designs. The ensemble does yeoman's work providing the lawless flavor of the Old West's saloons, brothels, railroads, and barn dances. Five shows remain for Wonderbound's The Sandman at their newly remodeled and refurbished performance space at 3824 Dahlia in Denver:
May 10 – 7:30pm For tickets: Wonderbound. Bob Bows
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