Don Pasquale

If you've never been to the opera, or are reluctant put out the money for something you know little about, take my advice and go see Opera Colorado's Don Pasquale. The combination of opera buffa (comedy) and bel canto style (emphasis on the beauty of the sound), on top of terrific casting and stage director David Gately's well-conceived Wild West adaptation, make for an evening your Valentine won't forget.

Kevin Gavin as Don Pasquale and male chorus members Photo credit: Matthew Staver

With no apologies to Sergio Leone and in keeping with composer Gaetano Donizetti's original time stamp, Gately sets the story in the mid-19th century, but transposes the Italian setting to the American frontier, creating a true "spaghetti Western," replete with pasta in the final scene.

The plot line is straight from traditional commedia dell'arte: an elder relative is preventing two young lovers from marrying; the couple enlists the help of a friend to solve the problem.

Kevin Glavin as Don Pasquale and Isabel Bayrakdarian as Norina Photo credit: Matthew Staver

The gregarious Kevin Glavin is a hoot in the title role, making us care for the stubborn Don Pasquale despite his misguided attitude toward marriage. Glavin's rich base, impeccable timing, and flair for the ridiculous encapsulate the archetypal Pantalone (old miser).

Don Pasquale's nephew, Ernesto, who accompanied his uncle from the old country, is in love with the beautiful and charming Norina. Norman Reinhardt, as Ernesto, with his haunting, expressive tenor, and Isabel Bayrakdarian, as Norina, with comedic skills to match her lustrous soprano, are a perfect pairing as the innamorati (enamored youths).

Isabel Bayrakdarian as Norina and Norman Reinhardt as Ernesto Photo credit: Matthew Staver

They seek out the Dottore (pompous physician), who devises a clever scheme to change Don Pasquale's mind. Christopher Feigum, as Dr. Malatesta, exudes cleverness underscored by a marvelous baritone.

The four principals wow us throughout the evening with an unending series of beautiful arias, remarkable duets, and more. Conductor Stephen Lord, leads the opera orchestra in a lively and lyrical rendition of Donizetti's thrilling score, providing a perfect springboard for the voices.

Tony Fanning's majestic set and Helen E. Rodgers' costumes enhance the period authenticity.

Opera Colorado's Don Pasquale concludes with performances February 12, 15, and 17 at the Ellie Caulkins Opera House. 303-357-ARTS or www.operacolorado.org.

Bob Bows